At CineGear 2022, we had the chance to get a hands-on take a look at the model new ARRI ALEXA 35, and our very personal Graham Sheldon gave a fast overview of the brand new digital camera. He additionally spoke with Chase from ARRI concerning the digital camera, its options and improvements.
We have now already reported on the about-to-be-launched ARRI ALEXA 35 right here on CineD, so I gained’t repeat each characteristic. Please you’ll want to learn our preliminary protection (full with an in-depth interview) right here.
The brand new ARRI ALEXA 35 was (and is) eagerly anticipated, after all, as for a lot of cinematographers on the market, the ARRI model is the de facto normal in the case of high-end cinema work. Because the saying goes, nobody has ever been fired for selecting ARRI. So to construct on that legacy, ARRI needed to pull some strings and produce one thing actually progressive to the market.
And so they sort of did. In fact, ARRI must be cautious, clients depend on confirmed and well-known design ideas, menu constructions, ease of use, sturdiness, and different elements, however most significantly, picture high quality. And that’s the place ARRI has stepped up: 17 stops of dynamic vary, versus 14.5 stops on the earlier ALEXA Mini.
ARRI ALEXA 35
That is made potential by means of a totally new sensor, used for the primary time within the historical past of the ALEXA collection: the brand new 4.6K 3:2 Tremendous 35 ALEV 4 sensor marks the start of a brand new period (the ALEV 3 has been used since 2010 – within the authentic ALEXA).
One other vital enchancment, or quite change, is the introduction of ARRI Textures. Cinematographers can set the specified, properly, texture of the captured materials. Since this course of happens earlier than the ARRIRAW pipeline, it may well’t be modified in publish, making it potential to imbue the footage with a specific feel and look.
This may increasingly appear counterintuitive, because it prevents most freedom in post-production, however many cinematographers have requested ARRI to implement one thing like this to make these on-set choices extra everlasting – very like the selection of movie inventory in days passed by.
The brand new REVEAL shade science can be price mentioning, as all the inside construction and picture processing pipeline have been reworked. The brand new ARRI ALEXA 35 inherits many insights from the bigger ALEXA fashions, however packs all of it right into a MINI-sized bundle whereas providing rather more inside horsepower.
That’s why you have got, for instance, 2 12G SDI outputs that may be configured totally particular person. Talking of 12G SDI, the whitepaper Graham mentions within the video above about SDI security may be discovered right here (PDF).
All in all, the brand new ARRI ALEXA 35 appears to be a workhorse and a ballerina on the identical time, providing loads of energy on the within whereas being comparatively small and lightweight on the surface.
Since we’re speaking about an actual cinema digital camera right here, the ALEXA 35 might be extra of a rental merchandise, because the ALEXA 35 Manufacturing Set prices near a cool $80,000…
What do you suppose? Have you ever ever shot on a ARRI ALEXA? Share your experiences within the feedback under!