The Fujifilm X mount is celebrating its tenth anniversary this yr — and for such a younger ecosystem, what they’ve managed to perform is nothing wanting unbelievable. Having stated that, we admit that the current years haven’t introduced as a lot innovation as we might’ve imagined. And a few strikes even left us questioning the place the model was going.
After I jumped on the Fujifilm bandwagon just a few years again, I couldn’t cease listening to fellow photographers rave about how nice the tactile nature and ergonomics have been, how a lot the corporate cared when offering firmware updates, and most of all, how a lot smaller and lighter your equipment might be in comparison with full-frame. These details held true again then and have been most likely the explanations most of us joined the journey.
However, lots has modified in 10 years. Canon and Nikon jumped into the mirrorless area, Sony is flushing out its second era of lenses, and Fujifilm doesn’t look as differentiating because it as soon as did.
Fujifilm loyalists love their retro design and dials, however now we have to confess there are fewer of them with every era. There are issues just like the removing of the D-pad on most our bodies whereas the GFX sequence is foregoing the shutter pace, ISO, and publicity compensation dials. These are elements which make it just like the Canon EOS R5 or Sony A1. The upcoming X-H2 is reported to have an identical design, feeling extra like a DSLR than an X-T4. I’m undecided this transfer will likely be fashionable with hardcore loyalists. We will solely hope to see that no matter enchancment the X-H2 brings is trickled right down to the long run X-T5 and X-Professional 4.
Firmware might be one of the irritating topics within the Fujifilm group. Some movie simulations have been restricted to particular our bodies. And if we perceive the necessity for market segmentation, the X-Professional 3 hasn’t obtained a lot love since its launch regardless of being the most costly within the lineup. Worse than that, the X-T30 II is a big departure from what we turned used to. That ought to have been a firmware replace.
Dimension and Weight
Coming from a 5D Mark III, the X-T2 was a slice of heaven. I might go additional and shoot longer with out cursing my heavy bag. “Carry much less and shoot extra,” they stated. Greater than that, it was much less intrusive, nearly discrete, and it didn’t scream “skilled.” That is what made it for me.
As of late, Sony may give you an f2.8 trinity that competes in weight with Fujifilm’s whereas masking a sensor practically two instances as massive — all whereas letting you benefit from the low gentle and bokeh advantages that include it. If these are a bit wealthy in your blood, you may both practically equalize depth of subject with the Canon RF f4 trinity (making your bag even lighter for the same finances) or check out Tamron’s providing on the Sony FE mount. The same argument will be made whereas trying on the Sigma i-series when contemplating primes.
The underside line is that the goalposts have shifted. Professionals retiring their D850 or 5D IV at present merely shouldn’t have as a lot incentive to go the Fujifilm route.
What Do We Wish to See Subsequent from Fujifilm?
The Fujifilm Superbowl is on the horizon. With the X-summit later this month, we’re already listening to stories of 40MP sensors. As a lot as I really like extra megapixels, how many people will really profit from a 40MP physique that two-thirds of the lenses most likely can’t really shine on? A good portion of the present lineup was designed on a 16MP sensor and is already displaying limits on the present X-trans IV. Sharper lenses and dependable autofocus will do much more for picture high quality than a mushy and looking DC motor will on the upcoming X-H2. We’d like extra of that new LM glass.
I suppose 8k is supposed to maintain Fujifilm related within the specs race and appeal to new customers. However I’d like to see them speed up the renewal of their lenses, particularly the professional zooms as these lenses must be smaller and render finer particulars. I’d love to have the ability to focus with them as reliably as I can my Canon, monitoring precisely and selecting faces the place there are literally faces and never in timber. I’d like to have common 4k with out pulsing, focus respiration, noisy DC motors, or IBIS wobbles. And PLEASE, I’d like to see a few of that X-H2 goodness delivered to each my X-T4 and X-Professional 3 through firmware.
With a extra restricted market share, there’s little to no probability to see Fujifilm competing with Canon and Sony on R&D and it’s okay, they don’t have to. It was all in regards to the small bundle and the consumer expertise. Fujifilm must get again to that. Let’s hope that whereas gunning for brand new clients, they don’t find yourself alienating those already within the fold.