The Nikon Z9 is right here and able to tackle the Sony A1 and Canon R3 for the title of ‘Mirrorless Flagship.’ We are able to argue all day about which digicam is one of the best, however there’s no query that this one is the largest. Mirrorless cameras have all been lighter and extra compact than their DSLR counterparts, however with Z9 and the R3, Nikon and Canon have modified that.
Whereas there have been a number of notable updates with the Z7 II, it was total a really related digicam to its predecessor. The Z9, nonetheless, is an entire new animal. Nikon has been making numerous strong well-handling cameras throughout their varied tiers, however that is the primary one I’ve personally been enthusiastic about.
Earlier than we dive in, let’s take a look at some benchmarks beginning with the bottom stats. This digicam has a 45mp sensor and might report 8k 60fps/4k 120fps video. The place that will get much more thrilling is with the burst price. It may possibly shoot 20fps RAW, 30fps utilizing full-resolution JPEGs, and 120fps utilizing 11mp JPEGs. Which means you possibly can successfully report a video utilizing high-res images and 1/4 velocity slow-motion video of low-res images. It may possibly additionally report constantly for as much as 1,000 compressed RAW images.
Whereas the Sony A1 technically has the Z9 beat with the RAW burst at 30fp, the 120-frame burst makes up for it. After all, the 11mp JPEGs are fairly limiting – you received’t have a lot flexibility in enhancing or cropping.
Nikon has additionally added a sequence of enhancements after the digicam’s preliminary launch with the two.0 firmware replace. These updates embody the 12-bit RAW recording in numerous codecs, a crimson report body across the display screen, pre-release picture recording, customized space AF, and a programmable focus level button.
Let’s check out the digicam.
We’ve bought rather a lot to cowl right here. Actually. This factor is big.
Let’s begin with what it doesn’t have: a shutter. “However Alex,” you say, “in fact it has a shutter. I can see it proper there within the lens mount.” Your eyes deceive you, my buddy. What you see just isn’t a shutter, however a mud cowl that protects the sensor when the digicam is off. The Z9 makes use of solely an digital shutter. Most mirrorless cameras have the choice to make use of both an digital or mechanical shutter, however the Z9 is the primary to dispose of it altogether. It’s a route that some folks have mentioned the trade may transfer in, and it’s thrilling to see Nikon give it a attempt. I applaud them for taking the leap and going with this.
One other advantage of not having a shutter is that there is no such thing as a likelihood of an inside LED mild leak. Most cameras have an infrared mild subsequent to the shutter to measure the actuation time. In some cameras, that mild can leak by and change into seen throughout lengthy exposures, ruining these images. Digital shutters take away that fully. Mixed with the Z9’s ‘Starlight mode,’ which claims to have the ability to focus at -9.5 EVs and a optimistic publicity time counter, this could possibly be a very good digicam for astrophotography.
Concerning the shutter body, Nikon used non-magnetic plastic materials, presumably to maintain the burden down. Sadly, this implies that you will want a mag-mount as a way to use merchandise like Kolari clip-in filters for Nikon Z-mount, as it isn’t natively appropriate.
Talking of the lens mount, we acquired these photos from a buyer whose lens ring snapped off their digicam. They didn’t specify whether or not this occurred on account of being dropped or if it merely broke by itself weight, however we supplied our greatest evaluation of the injury. First, as we’ve seen, Nikon solely makes use of 4 screws to mount the lens ring, which is on the decrease facet in comparison with 5 in Canon and 6 in Sony (A7 & A7 II used 4, however they elevated to 6 with their third era). Nonetheless, it seems to be like the issue is that the screws are simply screwed into the magnesium alloy physique, and evidently, the fabric didn’t take the pressure and broke aside, inflicting the screws to tear free.
Moreover, with some cameras, e.g., Canon and Sony mirrorless, there’s one other layer of connection between the decrease mount and the ring, which inserts below the entrance panel of the physique. Nikon, however, appears to screw the ring immediately into the body. It makes entry simpler for meeting and restore, but it surely’s not as sturdy. It’s disappointing that they didn’t add any reinforcement to the mount of the Z9, particularly contemplating its value and being marketed to professionals, who you’d anticipate to be working in tough circumstances and utilizing massive and heavy lenses.
If the Z9 had that further inside ring, it may need taken the pressure higher and lowered the injury, and we might have been capable of restore it by changing that half. Nonetheless, on this case, it seems to be like the one option to repair that might be to switch the entire entrance panel.
The appreciable dimension of the Z9 is due primarily to the built-in battery grip on the underside, giving it the identical kind issue because the Nikon D6. It comes with a Nikon EN-EL18d battery and is appropriate with any EN-EL18 battery. Nonetheless, you’ll want a mannequin 18b or newer to cost it by the digicam’s USB-C port.
Trying on the entrance, we see this now has three operate buttons, yet one more than the Z7 II. We additionally see the return of the 10-pin and flash sync ports, which have been lacking from the Nikon mirrorless cameras. Beneath that’s the focus mode buttons, that are in a extra ergonomic house.
And naturally, there may be the vertical shutter button, which comes full with entrance and rear command dials, in addition to ISO and performance buttons. This lets you preserve full management of the bottom settings whereas taking pictures vertically. It additionally comes with a lock swap which can lock the controls and stop you from by accident setting it off.
Transferring to the digicam’s proper facet, Nikon determined to go all-in on CFexpress playing cards, just like the Z7. Nonetheless, this time they remembered to incorporate the second slot that was added with the Z7 II. Whereas CFexpress playing cards are costlier – as much as 4 occasions the price of an “equal” SD card – and much tougher to come back by, it’s an comprehensible alternative for the Z9. This digicam is meant for professionals working on a big price range who want high efficiency. The very last thing you need is to purchase a $5,000 digicam for its burst capabilities, just for the buffer to refill throughout some fast-paced motion.
It’s a disgrace Nikon couldn’t use CFexpress Sort A playing cards as we noticed on the Sony a1 and a7S III, which might nonetheless match SD playing cards of their ports. After all, on condition that Sort A playing cards are manufactured by Sony, it’s comprehensible why Nikon wouldn’t wish to use their competitor’s innovation on their flagship.
They’ve additionally added a latch on the cardboard slot door to stop unintentional openings for added safety.
One other noteworthy function of added safety is the Kensington lock on the underside nook, which might match a laptop computer lock cable. It is a good option to refill some lifeless house however doesn’t appear sensible. There are just a few conditions the place I’d have one thing to tie my digicam right down to and is susceptible to theft however is out of my watch. It could be helpful for these working in a shared house.
The again is the place issues get extra fascinating.
The button placement is basically the identical because the Z7 II, besides the shoot mode is changed with the playback button, and the playback button is changed by the brand new lock button. Nonetheless, there may be one other joystick added beneath this part for vertical taking pictures. Alongside the underside are three new buttons for setting white steadiness, image high quality, and recording audio notes on your images, which might report by the brand new mic alongside the underside.
The enjoyable half is the brand new 3.2-inch LCD which provides a four-way tilt. Fairly than follow an ordinary up-down tilt-screen like within the A1 or the absolutely articulating display screen of the R3, Nikon provides one thing distinctive.
This isn’t the primary Nikon mirrorless with a novel screen-mount system. There was the Z50, which had a display screen that flipped again across the backside of the digicam for a clumsy selfie mode, and naturally, there’s the complete articulation display screen they carried out on the Z-FC.
This display screen can rotate 90 levels to the left, up, and down, however solely a part of the best way to the appropriate. It’s mounted with brackets on two factors as an alternative of the standard 4; nonetheless, it appears fairly steady. That mentioned, we don’t essentially advocate hanging the digicam from it. You need to lengthen it out fairly far to make full use of the articulation, however that shouldn’t be an issue for many conditions.
The decision on the display screen is 2.1 million dots, which is decrease than the Canon R3 (4.1 million) however greater than the Sony A1 (1.4 million), placing it proper within the center.
The opposite display screen to take a look at is the EVF. In step with the theme, it is usually larger on this digicam, much like the D6 or D850, and offers a beneficiant view of the motion. It initially launched with a 60hz refresh price; nonetheless, they have been capable of improve that to 120hz with the two.0 replace. The decision is barely 3.6 million dots, effectively under the A1 (9.4) and R3 (5.7), however it’s greater than sufficient to work with.
On its left shoulder, much like the D850 and D6, is the knob that holds 4 buttons: mode, burst picture dimension/price, bracketing, and flash controls. Alongside its base is a wheel for setting the taking pictures mode. On the appropriate shoulder, we see the usual show exhibiting the present image settings.
Trying on the port facet, we see they added an ethernet port and upgraded from a mini to a full-size HDMI port. After all, it additionally comes with the usual USB-C, headphone, and microphone jack.
Let’s begin taking it aside.
First, we take away the chunky battery from the battery grip, take away the screws within the backside piece, and take off the panel. Have a look at that beautiful copper foil tape… Sadly, we’re going to have to cut by it.
Then, we take away a few screws below every bit, permitting us to pry off this plate, which appears to behave because the becoming a member of bracket for the underside whereas additionally holding the tripod mount in place. Taking that off offers us entry to the screws on the backside of the battery compartment. We had some bother getting it to launch at first however ultimately found out get by.
Subsequent, we’ll take out this screw on the again. Fortunately we don’t need to do something with that elaborate display screen tilt mechanism.
Then we’ll take away the port panel.
Subsequent up is the cardboard door, which has a number of screws below the hinge. As soon as we take away that, there’s yet one more screw constructed into the body. We’ll additionally must take away that screw within the safety slot. Don’t fear, that Kensington lock doesn’t come out after we do this; it simply retains the digicam from coming aside.
That is adopted by the surprisingly intricate viewfinder piece, made up of three separate layers.
With that, we are able to open up the digicam.
Wow, take a look at the dimensions of that ribbon cable! It’s not only a ribbon cable, it’s a streamer cable. It’s a whole bolt of flex-cable. It’s larger than Jared’s thumb. After all, it’d need to be thick, contemplating what number of buttons and connections are on that panel; there’s numerous information being transferred by there.
We are able to additionally get a take a look at the connection of the safety lock.
Now we’re on the motherboard. They designed the heatsink body across the Expeed 7 processor, which can switch warmth out whereas guiding it to the shell. They went for a extra minimalist design with it, protecting it open and off the opposite connectors, creating higher steering for the warmth.
They’ve additionally added holes to entry the sensor screws. These screws maintain the sensor down in opposition to a spring, and tightening or loosening them permits you to regulate and calibrate the place of the sensor. That is important as a result of an improperly calibrated sensor can result in all kinds of focusing errors. As a result of our infrared conversions over at Kolari Imaginative and prescient contain changing the sensor glass, we regularly must calibrate the sensor to suit that tumbler thickness. Utilizing sure lenses can even require further calibration. Including this entry gap permits a technician to fine-tune the sensor place extra simply and with out the dangers of repeatedly taking aside a digicam.
We are able to additionally see that the connection between the battery and the board could be very accessible, which ought to make any repairs to that half a lot simpler.
Now let’s get shifting ahead. First, let’s take off that heatsink. Word the thermal pads laying beneath it.
Then we’ll take out that generously sized EVF.
Subsequent, we’ll disconnect the 2 sensor ribbons. The Z9 can pull off its no-blackout taking pictures by working the info from the sensor to the processor/screens and the playing cards individually, permitting it to stay fully lively whereas recording images.
With all the pieces disconnected, we are able to take out the motherboard.
Nikon determined to place the cardboard readers on reverse sides of the board as they’ve finished with the Z7 II.
They’ve additionally soldered all of the ports onto the board, making any potential repairs harder, particularly in comparison with the a1, which linked most of its ports with removable flex cables.
Beneath the board, we discover one other layer of the heatsink body.
We take away a number of screws, take off the body, and there we’ve got the sensor.
By the best way, if all that discuss of uncalibrated sensors issues you, don’t fear. The sensor screws are laced with Loctite glue to make sure that they’re not going wherever. Effectively, until, in fact, someone have been to unscrew them. However who can be loopy sufficient to disassemble a $5,500 digicam?
Now we simply take away the final couple of connections, and there it’s. Yep, that complete factor is the sensor unit. Let’s take it out so you possibly can see for your self.
After all, the sensor itself is your commonplace full-frame dimension, but it surely finally ends up being fairly massive with the IBIS and different assorted bits. A enjoyable truth in regards to the IBIS within the Z9 is that, whereas most picture stabilizers will jiggle freely when not in use, this one is locked in place to scale back the chance of harm.
For scale reference, right here is the Z9 sensor unit subsequent to the Kolari Pocket point-and-shoot digicam, which is a enjoyable and reasonably priced option to check out infrared pictures earlier than you make the leap on having your individual Z9 transformed.
This could give a clearer take a look at how the Z9 divides its information switch between the cardboard reader and the screens.
This digicam is so massive that it was a battle to get this shot with my 90mm macro lens, even whereas standing on a step-ladder.
The Z9 digicam combines the basic options we’ve seen in Nikon’s DSLRs of the previous and new improvements by no means earlier than seen. For those who’re a DSLR shooter who’s been holding off on mirrorless cameras due to the battery life, EVF lag, or since you (for some cause) don’t like cameras being small and light-weight, then that is the mirrorless digicam you’ve been ready for.
In regards to the writer: Alex Mirchuk is a photographer, designer, and technician at Kolari Imaginative and prescient, which provides pro-level filter optics and digital digicam modifications. The opinions expressed on this article are solely these of the writer. This text was additionally printed right here.