RED has not too long ago filed a lawsuit towards Nikon, accusing the Japanese firm of infringing their notorious compressed RAW patent. In line with the American firm, the addition of inside RAW codecs to the Nikon Z 9 intentionally emulates their compression know-how.
Just a few weeks in the past, we have been fairly excited to report concerning the launch of firmware V2.0 for the Nikon Z 9. Formally out there for obtain since April twentieth, the replace provides the power to internally document 12-bit N-RAW as much as 8.3K60 and even ProRes RAW HQ as much as 4.1K60. Nevertheless, it appears just like the celebration is (nearly) over.
Certainly, RED has not too long ago filed a lawsuit towards the Japanese firm for infringing their notorious compressed RAW patent. Its not clear whether or not the 2 corporations will find yourself in court docket and/or Nikon should take away the long-awaited RAW codecs from the Z 9. What’s sure is that the battle is now open.
RED sues Nikon for including RAW video codecs to the Z 9
Historical past tends to repeat itself. In actual fact, it’s not the primary time that RED takes authorized motion towards opponents for infringing its personal video compression patents. In current instances, Kinefinity was compelled to take away CinemaDNG from their cameras. Additionally they gave up on the event of their very own KRW2.0 codec. Furthermore, for a similar purpose ProRes RAW by no means made it to the DJI Ronin 4D, though this function had been beforehand introduced by the producer.
The addition of inside N-RAW (which is predicated on intoPix’s TicoRAW) and ProRes RAW recording had been identified because the preliminary launch of the Nikon Z 9. Though the announcement was fairly stunning, we initially thought the corporate had discovered a wise workaround to bypass RED’s patent. Apparently, this courageous try has failed.
Good or dangerous for the business?
Positive, enterprise is enterprise and the American firm rightfully protects its personal innovations. Nevertheless, to me personally it appears like this fixed long-term battle is just not solely limiting RED’s opponents, nevertheless it’s in some way slowing down the entire business somewhat bit.
However, this case forces corporations to provide you with ingenious options to beat challenges imposed by mental property, similar to Atomos and Blackmagic Design did with their ProRes RAW ecosystem and BRAW format respectively.
Featured picture credit score: picture by Tingey Harm Regulation Agency on Unsplash
Did you will have the possibility to shoot N-RAW or ProRes RAW on the Nikon Z 9? What do you consider RED’s method in regard to their compressed RAW patent? Tell us your ideas within the remark part beneath!