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Sony FE 16-35mm f/2.8 GM Vast Angle Zoom Lens Overview


The Sony 16-35 mm f/2.8 is my favourite lens for the Sony E mount. Honestly, it comes on all my journeys and is the one lens I take if I can solely deliver one.

I’ve used this lens to {photograph} the whole lot from mountain climbing to weddings and it fits my inventive model very effectively.

The focal size vary may be very versatile. The lens captures huge open landscapes at 16mm and intimate moments at 35mm. I completely love the flexibleness of the zoom vary whereas additionally getting a comparatively quick aperture of f/2.8.

Extremely Really useful

Sony 16-35mm f/2.8

Tremendous sharp, sturdy and with a flexible focal vary, this lens simply earns its place in your equipment.

Test Present Worth

If you’d like a really high-quality wide-angle lens for Sony that is my prime suggestion. I’ve owned the Sony 16-35mm f/2.8 for over 4 years now and am on my second copy after dropping the primary one. Oops!

It’s a reasonably sturdy lens and I’ve taken it up mountains and over cliffs, however I assume it’s not “drop within the parking zone” proof!

Let’s dive into the construct of this lens.

Sony 16-35mm f/2.8 Specs

 

Execs

  • Very sharp
  • Light-weight for the focal vary
  • Rugged and sturdy
  • Versatile focal vary
Cons

  • Costly
  • No Picture Stabilization
  • Sony E-Mount/Full Body Lens
  • Aperture Vary: f/2.8 – f/22
  • Minimal Focus Distance: 11.02″ / 28 cm
  • Weight: 1.5 lb / 680 g
  • Size: 4.8″ / 121 mm
  • Diameter: 3.5″ / 88 mm
  • Filter measurement: 82mm

Construct & Ergonomics

Sony A7 III with the Sony 16-35 f/2.8 GM lens

Sony A7 III with the Sony 16-35 f/2.8

Being a G-Grasp lens, the Sony 16-35mm f/2.8 is Sony’s premium high quality wide-angle zoom.

G-Grasp lenses are lenses with the “Gold Grasp” designation. They’re designed to focus rapidly in retaining tempo with Sony’s spectacular quick focus expertise.

Naturally, being a wide-angle zoom lens means it’s on the bigger aspect, however this lens nonetheless feels balanced on the digicam. On the whole, I like my gear to be light-weight and never cumbersome, which is among the huge causes I’m a Sony shooter.

The zoom ring and focus ring have good rubber grips. And the lens has a weather-sealed rear mount permitting for worry-free capturing within the components. I like to have the ability to take my gear all over the place and never be hesitant to make use of it, so sturdiness is an enormous plus.

The lens has an auto/handbook focus swap which is good for video shooters. And it has a spotlight maintain button which I feel is good when programmed for eye AF.

This lens doesn’t have picture stabilization however I’m pleased with that. The shortage of optical stabilization hasn’t been an issue for me for the reason that in-body stabilization is getting so good.

Lenses and the cameras they sit on work collectively as a crew – and the Sony 16-35mm f/2.8 is an effective teammate to have.

The lens nonetheless gives normal entrance thread-on filters, not like another tremendous broad zoom lenses. This is a bonus to me since there are positively occasions that I’m utilizing filters and threading them on is handy.

The Sony 16-35mm f/2.8  lens does lengthen as you zoom out however solely a minor quantity. This permits the lens to be slightly extra compact when zoomed in to 35mm.

General, the construct and ergonomics of this lens are very passable for the dimensions required of a wide-angle zoom. As I discussed, I take this lens all over the place and belief it to do the heavy lifting.

However, once more, don’t drop it within the parking zone!

Focus Efficiency

Sony A7 III + Sony 16-35 f/2.8 | 1/250 f9 ISO 100

Sony A7 III + Sony 16-35 f/2.8 | 1/250 f9 ISO 100

Subsequent up is focus efficiency, which on this lens is superb. The Sony 16-35mm f/2.8 lens performs effectively each in low gentle and when monitoring quick motion. Win-win.

The AF is silent and really fast. That’s an enormous bonus once I’m attempting to seize a shifting goal in my adventures on the paths or on a marriage day.

General, I’ve by no means had any points in capturing the whole lot from mountain biking to weddings. This lens simply works in relation to focusing, which is one thing I actually respect.

Not solely does it pair effectively with my inventive model but it surely doesn’t let me down on recreation day.

Picture High quality

Sony A7 III + Sony 16-35 f/2.8 | 1/2000 f4 ISO 160

Sony A7 III + Sony 16-35 f/2.8 | 1/2000 f4 ISO 160

With regards to picture high quality, the Sony 16-35mm f/2.8 lens actually shines. It gives incredible sharpness all through the zoom and aperture vary.

Bokeh is one thing you received’t get until you give attention to a really shut topic. However that’s the character of a wide-angle lens. Carry this lens together with the Sony 88mm f/1.8 to cowl these situations if you need bokeh or compression.

Like all wide-angle lenses, this lens does have some distortion but it surely’s simply correctable in lightroom or photoshop making this a non-issue.

Chromatic aberration is effectively managed and there are actually no issues with picture high quality. This GM lens lives as much as its designation.

The flare with this lens is minimal and solely seen when deliberately pointing it immediately towards the solar. Some individuals could benefit from the flare however for essentially the most half, it stays invisible.

General, that is the most effective 16-35mm lens I’ve owned and as my favourite focal size for over a decade, that’s saying one thing!

Sony 16-35mm f/2.8 Pattern Photographs

Listed below are some pattern photographs which had been taken with the Sony 16-35mm f/2.8, utilizing a Sony a7 III (reviewed right here).

Four wheel drive in forest

A7 III + 16-35mm f/2.8 | 1/4000 f/2.8 ISO 800

Sony A7 III + 16-35mm f/2.8 sample image

A7 III + 16-35mm f/2.8 | 1/1000 f/2.8 ISO 400

skiiers in the snow

A7 III + 16-35mm f/2.8 | 1/500 f/2.8 ISO 500

Landscape photo with Sony A7 III + 16-35mm f/2.8

A7 III + 16-35mm f/2.8 | 1/1000 f/4 ISO 100

Wedding photo with sony A7 III + 16-35mm f/2.8

A7 III + 16-35mm f/2.8 | 1/250 f/5.6 ISO 100

hiker matterhorn

A7 III + 16-35mm f/2.8 | 1/4000 f/4 ISO 100

hangglinger

A7 III + 16-35mm f/2.8 | 1/1000 f/8 ISO 100

Options to Sony 16-35mm f/2.8

With regards to wide-angle zoom lenses, not many alternate options can be found. Nonetheless, I’ll discuss by means of just a few that can assist you together with your resolution.

Sony makes a 12-24mm f/2.8 however this can be a little too broad for my choice.

Sigma additionally gives a 14-24mm f/2.8 however once more, too broad for me.

Tamron gives a 17-28mm which is getting nearer however I’ve by no means appreciated the reversed zoom/focus rings. Nonetheless, this lens is nice worth in the event you’re on a funds.

You may take a look at getting two prime lenses within the focal vary. Perhaps you take a look at getting a 20mm and a 35mm. You may lose the flexibility of the zoom. Or relying in your capturing model and the conditions you’re in, perhaps you solely want the 35mm.

If you happen to’re not nervous about low gentle efficiency, the Sony 16-35mm f/4 PZ was simply launched and will get good critiques.

The Sony 14mm f/1.8 is a superb ultra-wide angle lens that I reviewed beforehand for Shotkit, however being a set ultra-wide focal size, it’s of restricted use.

And lastly, the Sony 16-35mm f/4 ZA is an outdated however nonetheless stable lens. Additionally it is very reasonably priced however sacrifices some sharpness and low gentle efficiency.

As with all digicam gear, it’s about deciding the worth in your particular wants. Since that is one in every of my most used lenses, I’m not keen to make compromises. However let’s dive into worth that can assist you determine if it’s value it for you.

Worth for Cash

Skiing uphill on snowy mountain

Sony A7 III + Sony 16-35 f/2.8 | 1/2000 f4 ISO 100

Let’s be actual, at round US$2,200, the Sony 16-35mm f/2.8 is kind of costly. What number of shoots do it’s a must to do in your particular style simply to pay for this lens? Bear in mind, you don’t have a enterprise in the event you don’t have revenue.

As virtually at all times, you do get what you pay for and this lens may be very prime quality.

As we mentioned above there should not quite a lot of alternate options that don’t make sacrifices in a method or one other. You’ll should determine what sacrifices you might be or aren’t keen to make.

As a aspect notice, usually lenses will drop in worth over time. However the Sony 16-35mm f/2.8 GM lens has stayed the identical worth. Sony is aware of they’ve the market cornered on this lens and it’s holding worth.

On the one hand, a great high quality lens will maintain its worth. It could be a excessive price of entry however you may at all times promote and get better most of your price in the event you determine you don’t prefer it, use it sufficient, or must money out for some cause.

If you’d like the most effective in high quality/efficiency for this focal size, the Sony 16-35mm f/2.8 is it. It’s not a cheap lens so that you’re not getting a cut price. However you might be getting an amazing lens.

Sony 16-35mm f/2.8 Lens Overview | Conclusion

Sony A7 III with the Sony 16-35 f/2.8

Sony A7 III with the Sony 16-35 f/2.8

Despite the fact that it’s my most costly lens, I’ll be retaining this one round. It’s one in every of my most used items of drugs and is value its weight and price ticket.

The Sony 16-35mm f/2.8 comes out with me on virtually each photoshoot and has carried out exceptionally in a wide range of situations.

I’d estimate that a minimum of half my portfolio of photographs and the vast majority of my favourite private photographs had been taken with this lens.

I proceed to get pleasure from utilizing this lens and extremely advocate you test it out in the event you’re on the lookout for a sturdy, versatile, high-performance lens.

Extremely Really useful

Sony 16-35mm f/2.8

Sony 16-35mm f/2.8

Tremendous sharp, sturdy and with a flexible focal vary, this lens simply earns its place in your equipment.

Test Present Worth

Sources

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