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Sony FX9 vs RED KOMODO vs URSA Mini Professional G2 – Which One is Proper for You

There are such a lot of cinema cameras out in the present day. Fortuitously, you’ll be able to’t actually go unsuitable with any of them whether or not meaning a pocket digital camera for impartial shooters or a full-fledged mannequin prepared for the best budgets.

Within the candy spot for owner-operators are a brand new choice with a spread of various specs and configurations and we’re three in the present day: the Sony FX9, RED KOMODO, and Blackmagic URSA Mini Professional G2.

All of those cameras are very succesful however they every have their very own perks and disadvantages. Gear Focus takes a take a look at every to assist decide which possibility is finest for various folks.

Marcos Rocha, a contract director of pictures, is testing out all these cameras for this video. Beginning with the RED KOMODO he explains that it’s nice for business work.

The 6K uncooked footage out of the digital camera is unimaginable to work with. Nonetheless, it isn’t effectively suited to long-form work like documentaries or interviews as a result of the recordsdata are so massive and the uncooked footage wants extra time in put up.

You may simply use ProRes, however that considerably defeats the advantages of utilizing the RED. Additionally, going to a smaller decision in uncooked, like 4K, requires a crop in on the sensor. 

Picture Credit score: RED

One other lacking level is that there isn’t a high-quality inside audio system and solely a mediocre 3.5mm enter. Some advantages of the KOMODO are within the compact design and use of the Canon RF mount.

This lets you adapt loads of different lenses, together with EF lenses with full digital help.

RED is a giant identify within the business and you’ll possible discover shoppers who wish to see the particular person they rent utilizing a big-name digital camera. It will test that field.

Blackmagic is up subsequent with the URSA Mini Professional G2. That is nearer to a full-size cinema digital camera, although that “Mini” designation is suitable because it sits in between the FX9 and KOMODO on this lineup.

Blackmagic has completed a very good job of delivering a line of cameras, together with the Pocket collection, that every one can be utilized with one another pretty seamlessly. That could be a big profit. One benefit all Blackmagic cameras appear to have is of their well-designed menus. The URSA G2 shares that intuitive system.

Picture Credit score: Blackmagic Design

The URSA is a raw-capable digital camera at as much as 4.6K and naturally ProRes is obtainable. A step up from the KOMODO is that the URSA is ready to accommodate inside NDs behind its Canon EF mount. Autofocus is there however isn’t value utilizing. Audio is feasible to configure instantly into the digital camera with two XLR inputs out there.

It’s a stable choose for indie movie work nevertheless it isn’t extremely requested for business work. There additionally appears to be some concern with timecode syncing with audio in his expertise which may very well be a difficulty if you’re working with a separate audio system.

Third on the record is the Sony FX9. This was picked up as a result of Marcos was getting numerous requests from companies particularly for this digital camera. It has loads going for it much like the URSA because of its bigger, extra complete physique. There are XLR inputs, an inside digital ND, and extra.

Picture Credit score: Sony

The place Sony dominates on this competitors is with autofocus. The Sony system is dependable in comparison with Blackmagic’s which isn’t work utilizing in any respect and RED’s which nonetheless wants some tweaking.

Picture high quality is nice and it does bump as much as a full-frame sensor over the Tremendous 35mm sensors of the opposite choices. The FX9 simply works and has the whole lot you may want. It really works for probably the most number of shoots, together with documentaries.

Clearly, Sony’s rival is the most costly of the bunch. Blackmagic is available in at round $4,000 as of late, RED clocks in at $6,000, and the FX9 is $11,000.

In abstract, the RED is nice for business work. Blackmagic is available in for indie movie productions and smaller shoots. Sony does effectively with company and documentary work.

For those who choose up any of those cameras you’ll possible be simply advantageous for the whole lot as realizing the digital camera is a very powerful factor.

What do you consider these cameras? Which might you select?

[source: Gear Focus]

Order Hyperlinks:

  • Sony FX9 Cinema Digital camera (B&H)
  • RED KOMODO 6K Cinema Digital camera (B&H)
  • Blackmagic Design URSA Mini Professional 4.6K G2 Cinema Digital camera (B&H, Amazon)

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