CineD is all the time looking for a technique to join creators and producers – and, in fact, to assist filmmakers present their work. This is the reason we teamed up with FUJIFILM to point out our filming neighborhood work that has been completed with FUJIFILM cameras. Please meet Joe Spiteri, a filmmaker from the UK. “Within the Highlight” is proudly sponsored by FUJIFILM.
If you’re additionally a FUJIFILM shooter and want to have your work featured on this “Within the Highlight” sequence, please don’t hesitate to ship us your work – learn all about it right here.
For now, try the beneath brief movie that Joe Spiteri shot with a FUJIFILM X-T4 digicam. Within the following interview, he offers us just a little perception into his working model and workflow when he units out to shoot a brand new piece.
Within the Highlight With FUJIFILM – Joe Spiteri
Title: Joe Spiteri
Presently based mostly in: UK
Language(s) spoken: English
Q: How did you get began in our business?
J.S.: My first movie undertaking was for a newly began denim model. The founder had a religious following on-line and ran programs on advertising and marketing. After the undertaking was full, he beneficial me to his followers and college students. That result in work for plenty of manufacturers and purchasers.
I’m at the moment filming a portrait of Bangkok’s Banglamphu neighborhood, utilizing the X-T4.
What sorts of productions do you principally shoot?
A lot of the movies I make now are for the FujiFrame YouTube channel. I’m lucky to journey rather a lot, and I seize the locations I go to on Fujifilm cameras (movement and stills). The intention is to doc what I’ve realized utilizing the cameras and lenses throughout the X-Mount system over the previous ten years.
What’s your dream project/job in our business, and what are you actually captivated with?
A dream project can be a Robert Frank-esque street journey documenting small-town USA by movement and stills. On earlier street journeys, I’ve been affected most by locations I’ve no purpose to go to. Locations I’ve handed by on path to elsewhere.
I like to journey. And to doc the individuals and locations I go to. I’m equally fascinated with seeking out new experiences as I’m within the mediums, instruments, and processes of capturing them.
Within the work that you’re presenting us, now that it’s completed, what would you will have completed in a different way all through the manufacturing?
I’d have improved my gimbal method 😂. Virtually all pictures required a good quantity of stabilisation in put up, which meant extra work and a lack of decision. A few the pictures would have benefited from a number of extra takes to select from. The advantage of one of these undertaking although is the time restrict. You get what you get and hopefully study what to do higher subsequent time.
What present digicam, lenses and sound gear do you utilize?
Video: FUJIFILM X-T4, XF 23mm f/1.4 LM R WR, XF 50mm f/2 R WR, RØDE VideoMic NTG (and deadcat)
Stills: FUJIFILM X-Pro1, XF 27mm f/2.8 R WR
You selected to shoot your undertaking with the FUJIFILM X-T4 digicam. Did you impose on your self any limitations like not taking pictures with a tripod?
I are likely to preserve gear to a minimal the place doable if I’m solo taking pictures, and sometimes impose plenty of constraints to assist me focus. On this occasion, I knew time on location can be restricted, so I selected to maintain issues so simple as doable. One digicam (X-T4), one lens (XF 16mm f/2.8), and one body charge (60fps). All pictures used a gimbal. No ND was used.
What’s your favourite lighting gear, and why did you select that equipment over different options?
I’ve a small RGB LED panel (Neewer SL80) that by no means leaves my bag. It’s mild, vivid and has a magnetic again. It’s equally helpful for navigating darkish areas as it’s for fill-light. I additionally carry an aperture panel (AL-F7) that may be powered off an influence financial institution and a 5-in-1 reflector. As a lot as I’d like to have a lighting equipment and modifiers, it’s not sensible when on the transfer.
Do you utilize drones/gimbals in your productions? In that case, what’s the handiest manner you’ve discovered of deploying them?
I do have a gimbal. I attempt to use it when it fits the scene or undertaking. Generally I want issues to be locked down (like within the Valletta movie). Different occasions it may be helpful for conveying a temper or area, like within the movie featured right here. (I feel) it helped the viewer really feel the size of the environments I used to be shifting by.
What enhancing techniques do you utilize and are you happy working with them?
I’ve been a Davinci Resolve person for years now, and the software program retains outpacing my wants and talent stage. I’ve no speedy plans to desert it. Likewise, I dabbled with Closing Minimize Professional for this undertaking and did discover the stabilization labored higher with fixing my gimbal method, however the expertise hasn’t swayed me from persevering with to make use of Resolve.
How a lot of your work do you shoot in “flat image profile” and what’s your most popular manner of coloration correcting?
Since adopting a color-managed workflow in Davinci Resolve, I’ve began taking pictures extra F-Log. Beforehand, I had been taking pictures virtually completely within the Eterna profile.
How continuously do you journey and do you will have any suggestions in the case of packing your gear?
I journey a good bit. I’ve realized through the years that an excessive amount of gear results in bodily fatigue and resolution fatigue, which makes my work sloppy. Moreover, I’m lucky that I don’t have fastened necessities when selecting gear for journey, so I select to journey mild.
Reasonably than camera-specific luggage, I want to pack my gear within the Tenba BYOB sequence, so I can switch my equipment between luggage (a day bag or a mountain climbing bag for instance). This avoids wasted areas the place bag constructions have been setup for bigger techniques.
I attempt to “reset” my equipment once I’m completed utilizing it. Cost batteries, format playing cards, and so on. All the pieces has a delegated place, so I can discover it shortly and see when one thing isn’t there.
Packing an extension lead with a journey adaptor could make charging a number of gadgets on the go a lot simpler. Useful when there are restricted sockets in resort rooms.
Full disclosure: This “In The Highlight” sequence of interviews is sponsored by FUJIFILM.